2025-05-12

Review: Faceless (1988, Jess Franco)

An act of revenge by an unsatisfied patient is the starting point for an ever darker series of events. An all too ambitious, reckless plastic surgeon goes to work, to fix the damage that has been done, and he needs... female skin!

Jess Franco has made a good amount of very-low-budget films - but this isn't one of them, it's maybe his highest-budget production. A round of good actors, some of which are well known far beyond exploitation cinema, a couple more different settings than usual in his movies, some actual dialogue, proper editing - yes, this is perfectly watchable if you like a nasty mad-scientist shocker. 

"Faceless" is a french production, but it feels a bit like an Italian movie, an offspring of 70s gialli and fumetti neri. It seems to have mostly disappeared from common horror fans' consciousness, despite the fact that it features scream-queen Caroline Munro, veteran actors Helmut Berger and Anton Diffring, and even cult-icon Telly Savalas. Maybe it's because the movie was released in 1988, a couple of years after the heyday of Italian horror cinema, maybe it's because it's a little too polished, a little too much star power for a production that would typically be watched by a niche audience - "Faceless" is a bit of an oddity among the horror films of its time. It lacks the elegance of a classic giallo, or a gothic horror film, but also doesn't fully commit to the cold realism as seen in e.g. "Maniac" (1980) or "Last House On The Left" (1972).

It's reasonably exciting and suspenseful, albeit more due to the visible events than subtle writing or delicate timing, as seen in an Alfred Hitchcock movie. A couple of surprisingly strong and well made gore scenes will make you react - some of these will probably stick in your head for a while. (The eyes!) It's got some sexy sleaze, but it certainly doesn't max out, and there isn't an excessive amount of crotch shots, so in that regard "Faceless" is also a little (I said a little!) more accessible than expected. 

Overall, it's clearly a Jess Franco movie, meaning you don't win an Academy Award with this kind of stuff. It's got a respectable, above average production value, compared to similar works, but it's still low-cost exploitation cinema, pulp fiction for adults.

Some of the acting is actually good, and some of it is just wooden, the women are beautiful and show a lot of skin, there are hints of quirky comedy, homophobia and Nazisploitation, the gore is a-plenty and quite remarkable at times, there is a story, and it moves forward - "Faceless" has everything required for that kind of entertainment. It's a shocker, it has its moments, but also sometimes it gets a little lost in an uneven tone and some hiccups in pacing.

"Faceless" is a bit of a mash-up of different styles, and varying degrees of quality. If you're looking for edge-of-your-seat levels of suspense, let alone depth or nuance, you probably better look elsewhere. If you like a strong, gory horror thriller that doesn't require 100% of your attention, you've come to the right place.

Verdict: Nasty stuff. 6/10

https://www.imdb.com/title/tt0095125/

https://en.wikipedia.org/wiki/Faceless_(1988_film)

Trailer video:

  
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2025-05-08

Dangerous Animals (2025) trailer released!

Roughly 24 hours ago the trailer for upcoming shark-killer-thriller "Dangerous Animals", directed by Sean Byrne, was uploaded to YouTube.

After a roughly 1 minute long teaser was released about a month ago, now there's the official trailer. It's a little more than 2 minutes long, with countless edits, and flashing imagery. Does it give away too much? There are a couple of frames from a lot of different scenes in it - it remains to be seen how much more surprises, and how much suspense the full movie can offer.

Starring Hassie Harrison, Jai Courtney, Josh Heuston, "Dangerous Animals" is set to be released on June 6th 2025 in the US.

Watch "Dangerous Animals" (2025) trailer:

video source:
https://www.youtube.com/watch?v=cvwfHPtjO18
Rotten Tomatoes Trailers


2025-05-05

Streaming Kino: Riki-Oh ("Story Of Ricky", 1991)

Comic-adaptation "Riki-Oh" is a guilty pleasure that doesn't give you much time to catch your breath.

It's a cult movie, thanks to its unapologetic approach to both adapting the original material to live action film, and the on-screen violence. Where others might have changed the tone, director Lam Nai-Choi ("The Seventh Curse") chose to closely mimic the original, only with actors, latex, styrofoam, and large amounts of fake blood. 

"Riki-Oh" is a fast moving manga-style prison drama, with grotesque, funny, bizarre moments, and a lot of very brute, very gory violence. If you have a strong stomach, it's a highly entertaining watch.

Fun fact: Actors Fan Mei-sheng and Louis Fan Siu-wong, playing the master of the prison and Riki-Oh, respectively, are father and son in real life.

video source:
https://www.youtube.com/watch?v=JlRfZ8-pgGY
Alin Sun

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2025-05-04

Review: Demoni ("Demons", 1985)

The lines between cinema and reality blur, when a mask is found that carries evil. A movie theater becomes the battleground for hordes of bloodthirsty demons invading our world!

It's a mess. It's all over the place. A helicopter. (You'll understand.) We love it so much. 

"Demoni" drops all ballast, plays no games, and goes straight for the marbles. Which, in this case, are the games. It's not about uncovering and dissecting your innermost fears - or, only if they are an unhinged, feverish, surreal, and gory nightmare, that comes at you like a train at full steam. Where in other movies the aforementioned "marbles" would correlate to the underlying suspense, the dramatic arc, or whatever emotional effect the director intends to evoke in between the peak moments, in "Demoni" there is no such thing as an "in between". When the spectacle begins, it gets wilder and wilder, and pretty much doesn't stop until the end. 

The film-in-the-film concept mixes with some colorful outside world shots, there's plenty of action and gore, a bit of sleaze and bad lifestyle, and there's a notable lack of meaningful dialogue sequences, little chances of identification with the protagonists, etc. In "Demoni" it's all about the sonic and visual impact. The heavy metal music by Saxon, Accept, and others, used in the soundtrack, might seem a little off on first sight, but it's actually somehow accurate to not only the pacing of the movie, but also the stereotype that heavy metal music is inherently the devil's work. 

This hints at a message, a loophole in which "Demoni" is the very evil that it portrays, spilling over into the real world. But that's certainly a massive over-analysis. First and foremost, "Demoni" is a mash-up of countless themes from Italian horror cinema and fumetti (comics). Gothic demons emerging, a helicopter (...), a hero with shiny muscles, some zombie-esque action, ... If you've ever seen a fumetto like e.g. Dylan Dog or Brad Barron, you get the idea. It's a lot.

And it works! There is some really awesome looking use of light and shadow, inventive and bizarre imagery, wild, scary make-up, some epic scenes of demonic onslaught, huge amounts of violence and gore, and so on, and it has a fast pace, so you don't spend much time thinking about all of the insanity.

"Demoni" is one of the most spectacular productions of 70s and 80s Italian horror cinema. Does it make sense, or even educate you? No. Does it keep you tied to the screen, asking for more? Ohyeah!

Verdict: All hell breaks loose in "Demoni"! 8/10

https://www.imdb.com/title/tt0089013/

https://en.wikipedia.org/wiki/Demons_(1985_film) 

Trailer video:

 

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